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As some of you know I live for travel. It is my constant dream to discover new places and people. Eat good food and explore cultures. It is when I feel the most alive and inspired to photograph. Discovery can happen right in your won backyard  so consider traveling locally.

Of course the two big things that stop most people from travel are time and money. While I am fortunate to make it out of the country every summer, I do have to watch my budget otherwise to make this happen. In order to feed my wanderlust and continue to take some of the best photographs I travel locally. (For Travel Hacking Tips and how to do it head over to my other blog and read this) 

Local Travel

The perks are endless. You will not have to spend as much and can make it out and back in a weekend giving you plenty of time to keep hustlin’.  Everything from the day trip to your touristy spots or the weekend getaway I promise there is something for your yet to discover in your own area.

I find that when I set the intention to “travel” even when in my own local area, I am also setting the intention to photograph in a new a different way.  Photographing the familiar and photographing the new are approached very differently. One asks you to get out of your own way and remove pre-conceptions.

Here are a few ideas to get you started and traveling locally.

Buy a Train Ticket or Hit the Open Road

It is seriously so fun to take the train, plus no stress for having to drive. I recently took the train to Seattle and it was actually relaxing. See if you can’t plan a getaway by train. Bonus: the sweet views out the window will be fun to capture.

If you can’t take a train, consider a road trip. Go with your partner or friends so you can take turns driving and stop at every viewpoint possible! 🙂

Go Camping

Who doesn’t love camping or at least a good smore.  We love camping and backpacking, plus you can bring the pups if you have them. Do not be afraid, getting dirty is good for you. (Yes! You can camp on the beach too!)

Get Outside and Hike

One of my most common past times. I LOVE to disconnect from all the “extra” in life and reconnect with nature by making photographs along the way of course.

You can see all of my hiking images and the latest trails I am on by following my Instagram. I also made a #GetOutside video in support of a movement that encourages others to avoid the insanity of consumerism and Black Friday shopping

Visit the Ocean or a Body of Water

We live a short 3 hours drive from the Pacific Ocean, so find our way here several times a year to splash around. Although most often it is to watch a storm and aget hunt.

I am pretty sure I am part mermaid, so I try to find my way to the waters edge as often as possible. 🙂 It does not have to be the ocean, any body of water will do you some good. Put your toes in, go fishing, play by the banks and feed your inner child.

Find a New City within a 3 hour Drive to Visit

We live less that 20 minutes from Portland Oregon, so this city is fun to go to for the night out, but I love our sister city Seattle for the more “travel” type vibe. It is strangely familiar, yet new. For more of my recent Seattle photos go here.

Drop a pin and find a city. That is all that you have to do. Once you get there start exploring and stop at your local pub to connect with the real locals.

Portland Japanese Garden

Be the Tourist

Look up the top 10 things to see and do in your town or city. Start checking them off your list. Only then can you truly call yourself a local expert. 🙂

Make a Reservation at the New Restaurant

New food. Yummmm. What could be better! Find a new restaurant or new to you and make it a night. Don’t forget to take photos of that spread too.

Get your Friends Involved

Travel is so memorable because of the people you are with and the ones you meet. Get your friends in on it too.

 

So if that wanderlust bites you- feed it and be inspired. Continue to look and be curious about your own surroundings.  Travel locally and then travel like a local when you can get out of the country. I encourage both and have adopted them into my life.

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After the popularity of “Posing Tips: Make your Subject Feel (& Look) like a Model” I decided to share some posing secrets for portraits that are not as obvious. There are a few mirco-movements that make a major impact when posing for portraits.

As always, make your subject comfortable and feel at ease. The first 10 shots or so in a session I rarely let them see. They are just a way for us to find a rhythm and connect with this strange object I keep pointing in their face. After those initial shots and established relationship, then you can start to employ some of these secrets for posing in portraits.

Note: This is the very first post where the images were taken from a free stock photo website. This is due to the fact that I do not have permission from all my subjects to share and blog about our sessions. However, all tips are mine and ones I use often. 

Secret #1 

Place the tongue to the roof of the mouth.

What it does: Creates a muscle tension/flex and lifts the chin skin up.

Area of Concern Addressed:  Double chin/lack of a defined jaw

Use When: Shooting profile views or 3/4 views

Secret #2

Part the Lips

What it does: Creates a sultry look or elongates the face

Area of Concern Addressed: None- only an added effect. Can be useful for those with especially round faces when paired with a upper angle.

Use When: Shooting close ups or during boudoir sessions

Secret #3

Angle the face

What it does: Creates structure and gives interest. Defines the jaw and intensifies the eyes. Universally flattering.

Area of Concern Addressed: Lazy eyes – this is the best trick for an individual who may have a lazy eye which is especially prominent in photos.  Angle the face and have them look in the direction of the lazy eye if possible. Shooting them straight on will not be flattering in most cases.

Use When: Shooting portraits or head shots

Secret #4

Hands on the waist (instead of the hips)

What it does: Creates a hourglass figure and gives the illusion of a smaller frame. Lifts the arms off the torso.

Area of Concern Addressed: Extra flowy clothes or a subject who has requested to look thinner (I get asked for this all the time).

Use When: Anytime you are tempted to say “Put your hand on your hips” . This will lift the arm from the torso which is good and flattering for how the camera picks up this part of the image, but it is not good for the size of the frame. Hands on the inner waist will cinch in the frame. This is also very helpful if your subject wore super flowy clothes since these have a tendency to drown your the form.

Secret #4

Lift the Collar Bone and Extend the Neck

What it does: Creates the illusion of a “thinner” look.

Area of Concern Addressed: None- only a effect (being thinner is desired by clients, but not something I think should ever be a “area of concern”)

Use When: Laughing photos or intense and serious photos (both will be intensified with this pose)

Secret #5

Cross your Ankles

What it does: Creates a point at the end of the frame and tilts the body slightly. Makes you appear taller.

Area of Concern: When two subjects are drastically different heights – have one subject cross ankles with one foot in front to appear taller.

Use When: Photographing couples or when using a wide lens (as those tend to make people look shorter and squatty)

 

That is all for now! Give it a shot and tell me how it goes. Or better yet, if you have some of your own secrets for posing, comment below.  Thank you all!

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Posing tips. It is not natural to everyone and your job is to make your subject feel good and look good. Even if you are not shooting professionally, you will inevitably be asked to take someones photo because you are “the photographer of the group.”. Here are my top posing tips that will keep the photos polished and have your subjects feeling pretty fantastic about themselves.

For these tips I am using the photos from a recent photo shoot with my sister. A performer and musician she needed some head shots and senior portraits. This was a mix of the traditional and fun.

1. Place the Hands Intentionally

Bring the hands towards the face or place them in the hair. Whatever you do, do not let them hang there. Give specific instructions for where they go. My lines for hands in the past have been the following:

  • Pretend like you are playing with your earing
  • Run your hands through your hair
  • Feel the texture of _________ (in this case the scarf)
  • Hands in your pockets- thumbs out like you are “Chillin”
  • Gently touch your fingers to your lips
  • Cross your arms (more masculine look)
  • Lay their hands on a rail (make sure there is not a intense grip)
  • Hands on waist (not hips)

Here are some NEVER’s for hand placement:

  • Over the crotch
  • Typically any “praying hands” look not so great
  • Hanging at the sides
  • Fists (unless they are a MMA Fighter)
  • “Just do what feels natural”

2. It is all about the Shoulders

I rarely will shoot the shoulder straight on- even when it is a man. A 3/4 approach is always more flattering.

Here are some phrases I used to position for the shoulders in addition to some taps and gentle movements:

  • Drop your shoulder facing me
  • Look towards your shoulder (now up)
  • Take a deep breath (lift shoulders with them) and drop
  • Shoulders back
  • Lift your hands to the sky and have them bring back behind them (BEFORE shooting)- this is good for the especially humpback prone

3. To Smile or Not Smile

Have your subject constantly switch between smiling with teeth, being serious and no teeth. Don’t forget to capture the candid in between moments too.

For a sultry look, have your subject breathe out of the mouth. A slight part also tends to elongate the face.

I typically carry some new chapstick or Vaseline with me in the case of dry lips since that tends to be a pain to touch up and remove from photos. Also – ALWAYS tell your client or subject when something is in their teeth. You must.

4. Catch the Candid

Catch those in between moments. Posing can be exhausting and sometime subjects get in their heads or build anxiety.

Take breaks, move locations or change your set. Crack some jokes and have a chat. They will let loose and you can get some genuine smiles. Who doesn’t love that?

Candid are my favorite, but only occasionally are my subjects favorite. So do not feel disheartened if they prefer the posed and rehearsed shots.

 

5. Where do I Look?

Eyes. The window to the soul right? Let’s make sure you capture them in a multitude of ways. Ask you subject to look in different directions. Do not get the whites of the eyes- pay attention to where the Iris is and where your camera is pointing.

Give direction. Subject ask often “Do I look at you?” Tell them before they even ask.

Phrases I use for direction:

  • Look just over my shoulder (specify right or left)
  • Look down at your shoe with your eyes (keep their head the same)
  • Look down and on the count of three look up right into the camera (Have your camera ready to snap)
  • Blink, Blink, Blink and Open
  • Smile with your eyes (They always smile with everything and its cute)
  • Pose them, and keep posing them.

6. Play with the Hair

Move it over one shoulder, all behind. Use part of it to cover their face.

Have them play with their own hair. If you want a really dramatic look start asking them to flip and then run it through Photoshop like I did for fun.

Even if you are shooting an individual with shorter hair having the subject interact with their hair can be fun and change up the shoot.

7. Move Around and Pay Attention

Move between close ups and far away. Try not to have them doing the same thing for long periods of time.

Make sure you keep the background simple. Pay attention that it is not cutting off your subject or distracting from them. Also, just because you blurred the background does not mean it is no longer distracting, the colors can be too.

For more posing tips check out How to Take a Better Portrait with your Phone.

 

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I thought it was high time to post another photo project. This is a favorite of mine and has a primary focus on training your eye. Making the mundane magical is exactly what artists do regularly. This project works on honing that skill.

First you will need to select a mundane object. Mundane simply means everyday or ordinary. Nothing special or particularly defining of this object. I will also say that the smaller the object, the more flexibility you have with your photographs.

Here are some ideas for mundane objects:

  • Army Man/ Legos
  • Banana/ Apple
  • Fork/Spoon
  • Soap/ Nail Clippers
  • Cup of tea or coffee
  • Most random item you carry with you in your backpack or purse

Remember simple is a good place to start and will offer you many options.

Challenge:

Choose a mundane object and focus at least 30-40 images on this one object. You must make your object look like the following:

  • Light
  • Heavy
  • Beautiful
  • Ugly
  • Tall
  • Micro-Small
  • Soft
  • Hard

Remember these words can have different interpretations for different people. That is the fun part! 

After you select your object, consider setting up a home studio of sorts. You will need:

  • Light- any type of house lamp or position you studio by the window
  • A Surface to Shoot on- Choose something with texture or pattern like a stump or bubble wrap
  • Background- Find a simple plain background- this could be a sheet, metal, foam core etc
  • Reflector – Grab a piece of white foam core or even white paper to pop the light back onto the subject from the window.
  • Objects and Items – Have some plants or other items to highlight your object

Here is my 2 Minute Home Studio when I need to shoot a product or item quickly.

Things to Think About

These are some suggestions to help you get the creative juices flowing.

  • Lighting- How can you use this to create drama and emphasis (maybe backlight it ?)
  • Shadows- the shadow of the object can also make a photo
  • POV – Point of View and angles can make a huge difference in the size of your item
  • Fishing Line- Consider a way to stage your object and have it suspended
  • Composition- Use the Rule of Thirds and make sure to check out the 8 Basic Composition Styles to help you.
  • Destroy it- if you have multiple, manipulate the form and break it apart
  • Get Close Up– Use a macro lens and focus on texture
  • Motion– drop it, throw it, or slowly drag it to capture the motion.

Results:

Spending this much time with one subject will be beneficial. It will be a challenge to force yourself to look at something for a long period of time. Whenever I do this photo project I am always challenged and inspired at the same time. Let me know how it goes! I would love to see your images, so make sure to tag me on Instagram or drop a link below.

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This post features recent photographs in Seattle taken on my iPhone 7 Plus with the usual gear I carry in addition to some work from my last trip. All photos on this blog are my own unless otherwise noted. 

Travel and the Trip

Glass Museum

While Portland is my home city; Seattle’s towering space needle, glass gardens, art museums and the famous market with flying fish hold many happy childhood memories for me.  I have been to Seattle at least 30 times as a Pacific Northwest Native and it is only a short 3 hour road trip away.

As a teenager it was a popular trip to make on a long weekend when we had nothing better to do than sit on the waterfront, ride the ferris wheel and generally run around laughing at nothing too specific.

This past week I had a conference for work in Seattle and found myself dreading the drive for numerous reasons. Traffic, the fact that I was not in a car full of friends with the aroma of coffee and sounds of inside jokes, and that it was for well… work.

Space Needle

I decided to do something I only faintly remember from when I was very young: take the train from Portland to Seattle. I then I arranged to meet a few friends while I was up there in between my conferences and break out sessions. I am so grateful I did.

The train was delightful and I highly recommend it to anyone. Seriously, no stress, no traffic, and you can just bring your carry on with you. Look up ahead of time which side to sit on for the views of the river.

While I was slightly worried about navigating the city without a car (since this is how I had made all of my other trips), it was actually simple and stress free. Plus no parking!! The train station in Seattle was only 2 miles from my hotel and I opted for an Lyft ride to get settled in. You can also take the tram most places in Seattle.

Arranged to meet with a friend within walking distance of the hotel and managed to trek the city by foot all 4 days of the conference.

The food and company were of course superb and lets not forget about the views. I stayed away from the touristy stuff this time and enjoyed other portions of the city. So the images of those things were from past trips to Seattle.

Composing and Contrast: Photo Tips

Downtown by the Convention Center

Photographing in Seattle always brings a stark contrast to what I normally shoot.  Composing in nature is my tendency and comfort zone. I can easily frame the bend of a river or edges of a cliff. The forest is living and takes calm flowing breaths to surround me.  The curves and turns in nature easily find their way into a well composed image for me since this is where I spend most of my time.

When in the city I have to switch my focus. It is busy and thriving. Breathing heavily from the weight of buildings and cement. I am often looking in linear directions and considering thousands of objects.

I enjoy using my Fish eye lens when shooting in the city and tend to turn many images black and white. I feel this leads to a classic look. I find I am even less drawn towards photographing people in the city and instead choose to focus on the architecture. That which is not alive.

Tips and things to look for when shooting in the city:
  • Reflections in the skyscrapers and windows
  • Balance in your images (this is important when so much is happening)
  • Shoot in Portrait orientation occasionally  to allow for the city to look as tall as it needs to.
  • Look up (Always)
  • Edit and turn Black and White for a classic look
  • Go into building and look down or out of the windows
  • Focus on architecture and the character of the city- if it is gray let it be gray
  • Pay attention to the edges of the frame- do not have weird things flying out of the edges
  • Use the creative architecture to inspire you
  • Make them your own- avoid the skyline images and touristy shots everyone else has- create your own work.

Recommendations and a To Do List

These are some links to get you started on your own trip planning if you are thinking Seattle is calling your name.

Amtrak:

Pros:

  • Easy to Navigate
  • Comfortable Travel
  • Photo ops
  • No Stress of Traffic or Driving

Cons:

  • Depending on where you are coming from the tickets can be more expensive
Hotel: Hyatt Olive 8

Pros:

  • Comfortable Stay
  • CLEAN Rooms
  • Great free breakfast
  • Walking distance to major attractions
  • If you use Chase Points  they work here!

Cons:

  •  No free Breakfast at this one (rare for a Hyatt)
  • It is a Hotel and not a hostel so a bit more spendy
  • Views are not great for photos unless you pay the extra $$$$$
Food:

Pros:

  • ALL of it is good.
  • Try to food carts – especially La Creperie
  • Palomino was fresh and delish
  • Juicy Cafe is a healthy on the go lunch option
  • Starbucks on EVERY corner
  • Pike’s Market has the best donuts

Cons:

  • Dinner is expensive in the city
  • Harder to find a grocery store
To Do:

Don’t forget to check out Trip Advisors Top 10 things to do list before visiting any city. So far these have never steered me wrong. Maybe even do this for your own city to get some great shots of things you normally don’t think about.

My recommendations for this city are the following:

  • Pike’s Street Market
  • Space Needle
  • Chihuly Glass Museum
  • Sculpture Park
  • Seattle Art Museum
  • Original Starbucks
  • Waterfront
  • Ferris Wheel (only if it is nice out)
  • Scavenger hunt for the Troll under the bridge

 

You will get some fantastic shots and be so inspired by the architecture and life of the thriving city of Seattle. Of course, let me know how it goes.

 

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This expert round up features photographers of all kinds who inspire me on the daily with their Instagram feeds. Diverse styles and different technology, these photographers answered 5 questions including giving their best advice, editing choices, and even braving the question of a photographers current place in society.

If you are looking for inspiration in your own work or just to freshen up your feed I hope these photographers resonate with you as much as they have with me.

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Hello friends! I am always shuffling through creative apps on my phone, but have a found a few keepers too. As a photographer it is important to switch it up and try new things. It should be only natural as we evolved as artists.

In addition to this, as a phone photographer having a system in place to organize creative content is also important. Most of us do not have multiple phone and use our devices for our work and daily lives as well. I have a few favorite habits and apps that help me keep all of this in check and keep my phone functional.

Watch the video below to see what is on my phone at this very moment and how I stay organized.

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Photographic images are containers for information. They tell a story. Or at least they should right? We are conditioned to expect images to talk about something so when they offer very little and are in fact abstract what does this mean? Abstract photography evolved out of frustration, but turned out to be one of the best things I ever investigated.

This talk investigates my path to the abstract photograph and the ideas behind that slur of information. On here and on Instagram I rarely share this portion of my work. I save this for my fine art that resides on my artists website.  However, I am still making this work and felt it could be appropriate to share my Ted Talk here as well.

If you struggle to understand the abstract or are drawn to creating the abstract this talk gives insight into both as well as my journey with photography.

As always, I welcome your ideas and commentary on abstraction and the photograph.

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