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Writing about art can daunting. After all, aren’t we creating work to communicate in a visual way? Finding the right words to describe art work is like looking for the wind sometimes. Ever changing and invisible. However, the wind has some major impacts- we can see its shifts in other ways. This is how we have to look at examining our own work- the subtleties.

Thankfully, I had 5 years in art school that taught me writing about art was not only a challenge but also essential. Compelling work will ask for more- including those magic words that describe your work.

What is perhaps even more of a challenge for some of you will be narrowing down words to describe your work. I know this is the case for me, since I am inspired by so many things- see the image of my ‘Inspiration Web’ below. All of these pieces  are true inspiration, but not all of them are evident in my work.

The Exercise

Step 1: Gather and Observe

You need to be looking at something in order to decide the words for your work. So, gather some of your favorite pieces or alternatively look at you Instagram or Website Gallery. Spend at least 10 minutes if not more scrolling through your work.

Now grab out a piece of paper or your journal to start some brainstorms.

Step 2: Decide what Elements of Art or Principles of Design  are most prevalent

Elements of Art are the foundation building blocks for composition and how we choose to arrange elements in the frame. It is important to recognize that these are conscious choices and not random (even if some artists prefer to think this way). You brain is constantly processing visual information and making choices about it.

Elements:

  • Line
  • Color
  • Texture
  • Shape
  • Value/Contrast
  • Form
  • Space

Principles of Design are the general ideas about HOW you arrange the elements. These are often intertwined with your theme.

  • Balance
  • Unity
  • Variety
  • Emphasis
  • Movement
  • Pattern/Repetition
  • Proportion/ Scale
  • Rhythm

After looking at both of the lists- narrow down the elements or principles most evident in your work. You list should include about 5, but no more than 8. Keep it precise.

Step 3: Consider Moods and Themes

Mood is created by one of two things: lighting or subject. Cliche mood images with light are things like a sunrise or sunset. However, lighting such as fog or bright harsh light can create different moods. Subject created mood depends on the viewers relationship to it. For example, a puppy can bring a joyful mood while a lone park bench can bring a solitary mood.

Mood is the viewers feeling to your work. Tone is your own (the photographer’s) attitude regarding the subject. So try to keep these separate and examine your work from he viewers perspectives.

To get you started here are a few Mood Words: (Some of they may apply, but don’t hesitate to Google a mood word list)

  • Abandoment
  • Vulnerable
  • Intimate
  • Harsh/Removed
  • Energetic
  • Judgmental
  • Observant/Voyeuristic
  • Proud
  • Provocative
  • Respected
  • Worthy

Themes may also come forward during this brainstorm. Themes are general categories for us to store information under. A way to describe our work that is a bit more removed from the feeling. This may be more accessible for you work than a mood.

Themes can also be closely tied to genre’s of art or art history as shown in the examples below.

Here is a list of themes to give you some examples:

  • Pop Art
  • Motown
  • Found Objects
  • Nature
  • Questions
  • Faux
  • Photo-journalistic
  • Garish
  • Vivid
  • Artificial
Step 4: Time to Journal

One of my favorite books that changed my perspective on photography and art in general is called “Photographs Not Taken” by Will Steacy. It is a book about Photography that has no photographs – only the words of photographers describing a photo they did not take.

This journal prompt has been one of the best parts of this exercise for me and insightful for what I find valuable or beautiful about images.

Get out your pencil and do as all of these photographers did; answer this question.

Describe a photograph you did not take, but still vividly remember today? If you can, consider what stopped you from taking that image?

Step 5: Review what others have to say

Lastly, take an opportunity to read what others have to say about their work. Choose photographers that you admire or follow. What words do they use?

Careful not to fall into the trap of using their words- but instead see how they line up with the work and how they have chosen to approach the pieces. To read interviews with 5 photographers who have inspired me with their work and how they describe it go here.

Final Three Words:

The idea is to be succinct and have words you can utilize in a variety of ways (see below). After all of your note taking stop and put it away for two days. Come back and scan over your notes. Circle the first three words that still pop out at you. While this may be it for some of you- others might be dissatisfied with the three words. Perhaps this means that your work needs to grow in a new direction OR go through again a few days later and see what else pops out.

Write down the three words that most describe your work.

My three words are: Textured, Reductionist, and Natural/Organic.

I am also open to these words changing and evolving overtime as I do. At one time I did everything from documentary to the narrative and now I tend to remove elements in order to create a minimal, piece. (Reductionist).

Where you will use these words:

Hopefully you came up with three words to describe your own work or style in art. After this, you have the opportunity to use them in a variety of ways. Artists have to do some self advocating and often are expected to explain their work at some time or another. For example you could use these words as the building blocks for any of the following:

  • Artist’s Statement
  • Artist Bio
  • Resume
  • Cover Letter
  • Applications or Entries to Shows/Competitions
  • Talking to your parents
  • Talking to your friends or generally anyone who has not been asked to consider art
  • As journal prompts
  • For inspiration when you feel like your work has lost touch
  • On your Instagram or Twitter Bio
  • You can create a poll on Facebook or Twitter for your followers to see which of the words they feel like describes your work more

Self Reflection can be one of the most powerful tools for continuing to create. This is the process after all. This can also be one of your powerful tools in self promotion and growth- connection and understanding between you an the viewer. Photography and art is always a two way street and the viewer is important. Let these words guide them.

What are your three words? Please share them below in the comments! 

Have you ever had a time when you needed to talk about your work and were at a loss for words? I would love to hear these stories as well. 

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Photography. The ability to capture and freeze a moment. In today’s age people are photographing all the time thanks to the device that does not leave their hand. But why? Why do people feel the need to photograph? What compels them to keep photographing? Is it only because their cat is cute or is it something else? Why Photograph?

For myself I have felt that photography is natural. It is a way of living. A way of experiencing the world. It is not about what comes after the image- for me. The sharing and showing is something I have struggled with. So it was not about the fame or popularity or even the attention a great photograph can bring. It is something more. To me, being a photographer is someone who is in love with the world. Or as I say to my friends, “It is because I love to find the good stuff.” It is a way of practicing joy.

This very conversation was one I had in a college class with my professor who change everything about how I look at photography and therefore the world. That is where the featured image stems from- a conversation and his notes on the board.

27 Reasons that People Photograph:

  1. Memories
  2. Documentation
  3. Money
  4. A way of Engaging with the World
  5. A way of Practicing Joy
  6. To Find the Good Stuff
  7. Challenging Concepts
  8. Propaganda
  9. Obsessive
  10. Fun
  11. Addiction
  12. A Drive to Create
  13. A Drive to Capture Beauty
  14. Photography as a way of knowing
  15. Libidinal
  16. Intellectual
  17. Camera Junkies
  18. Gear Heads
  19. Popularity
  20. Advertising
  21. Manipulating
  22. A Compulsion
  23. Not able to let go
  24. Impressions
  25. To Tell a Story
  26. To Make
  27. To Make Art

Let me say that again. To make. To make art. Humans are engineered to make. The visual is not foreign. It is how we first communicated and will be how we communicate forever into the future. The visual is essential to connection and can be essential to disconnection.

This is why visual arts education and media literacy is so important for our current students. It is the world we operate in and it is not going away.

To continue your search for why- read the interviews of 5 inspiring and expert photographers I recently did. To see what I find beautiful- see this.

Where do you all fit? Why do you photograph?
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As some of you know I live for travel. It is my constant dream to discover new places and people. Eat good food and explore cultures. It is when I feel the most alive and inspired to photograph. Discovery can happen right in your won backyard  so consider traveling locally.

Of course the two big things that stop most people from travel are time and money. While I am fortunate to make it out of the country every summer, I do have to watch my budget otherwise to make this happen. In order to feed my wanderlust and continue to take some of the best photographs I travel locally. (For Travel Hacking Tips and how to do it head over to my other blog and read this) 

Local Travel

The perks are endless. You will not have to spend as much and can make it out and back in a weekend giving you plenty of time to keep hustlin’.  Everything from the day trip to your touristy spots or the weekend getaway I promise there is something for your yet to discover in your own area.

I find that when I set the intention to “travel” even when in my own local area, I am also setting the intention to photograph in a new a different way.  Photographing the familiar and photographing the new are approached very differently. One asks you to get out of your own way and remove pre-conceptions.

Here are a few ideas to get you started and traveling locally.

Buy a Train Ticket or Hit the Open Road

It is seriously so fun to take the train, plus no stress for having to drive. I recently took the train to Seattle and it was actually relaxing. See if you can’t plan a getaway by train. Bonus: the sweet views out the window will be fun to capture.

If you can’t take a train, consider a road trip. Go with your partner or friends so you can take turns driving and stop at every viewpoint possible! 🙂

Go Camping

Who doesn’t love camping or at least a good smore.  We love camping and backpacking, plus you can bring the pups if you have them. Do not be afraid, getting dirty is good for you. (Yes! You can camp on the beach too!)

Get Outside and Hike

One of my most common past times. I LOVE to disconnect from all the “extra” in life and reconnect with nature by making photographs along the way of course.

You can see all of my hiking images and the latest trails I am on by following my Instagram. I also made a #GetOutside video in support of a movement that encourages others to avoid the insanity of consumerism and Black Friday shopping

Visit the Ocean or a Body of Water

We live a short 3 hours drive from the Pacific Ocean, so find our way here several times a year to splash around. Although most often it is to watch a storm and aget hunt.

I am pretty sure I am part mermaid, so I try to find my way to the waters edge as often as possible. 🙂 It does not have to be the ocean, any body of water will do you some good. Put your toes in, go fishing, play by the banks and feed your inner child.

Find a New City within a 3 hour Drive to Visit

We live less that 20 minutes from Portland Oregon, so this city is fun to go to for the night out, but I love our sister city Seattle for the more “travel” type vibe. It is strangely familiar, yet new. For more of my recent Seattle photos go here.

Drop a pin and find a city. That is all that you have to do. Once you get there start exploring and stop at your local pub to connect with the real locals.

Portland Japanese Garden

Be the Tourist

Look up the top 10 things to see and do in your town or city. Start checking them off your list. Only then can you truly call yourself a local expert. 🙂

Make a Reservation at the New Restaurant

New food. Yummmm. What could be better! Find a new restaurant or new to you and make it a night. Don’t forget to take photos of that spread too.

Get your Friends Involved

Travel is so memorable because of the people you are with and the ones you meet. Get your friends in on it too.

 

So if that wanderlust bites you- feed it and be inspired. Continue to look and be curious about your own surroundings.  Travel locally and then travel like a local when you can get out of the country. I encourage both and have adopted them into my life.

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Posing tips. It is not natural to everyone and your job is to make your subject feel good and look good. Even if you are not shooting professionally, you will inevitably be asked to take someones photo because you are “the photographer of the group.”. Here are my top posing tips that will keep the photos polished and have your subjects feeling pretty fantastic about themselves.

For these tips I am using the photos from a recent photo shoot with my sister. A performer and musician she needed some head shots and senior portraits. This was a mix of the traditional and fun.

1. Place the Hands Intentionally

Bring the hands towards the face or place them in the hair. Whatever you do, do not let them hang there. Give specific instructions for where they go. My lines for hands in the past have been the following:

  • Pretend like you are playing with your earing
  • Run your hands through your hair
  • Feel the texture of _________ (in this case the scarf)
  • Hands in your pockets- thumbs out like you are “Chillin”
  • Gently touch your fingers to your lips
  • Cross your arms (more masculine look)
  • Lay their hands on a rail (make sure there is not a intense grip)
  • Hands on waist (not hips)

Here are some NEVER’s for hand placement:

  • Over the crotch
  • Typically any “praying hands” look not so great
  • Hanging at the sides
  • Fists (unless they are a MMA Fighter)
  • “Just do what feels natural”

2. It is all about the Shoulders

I rarely will shoot the shoulder straight on- even when it is a man. A 3/4 approach is always more flattering.

Here are some phrases I used to position for the shoulders in addition to some taps and gentle movements:

  • Drop your shoulder facing me
  • Look towards your shoulder (now up)
  • Take a deep breath (lift shoulders with them) and drop
  • Shoulders back
  • Lift your hands to the sky and have them bring back behind them (BEFORE shooting)- this is good for the especially humpback prone

3. To Smile or Not Smile

Have your subject constantly switch between smiling with teeth, being serious and no teeth. Don’t forget to capture the candid in between moments too.

For a sultry look, have your subject breathe out of the mouth. A slight part also tends to elongate the face.

I typically carry some new chapstick or Vaseline with me in the case of dry lips since that tends to be a pain to touch up and remove from photos. Also – ALWAYS tell your client or subject when something is in their teeth. You must.

4. Catch the Candid

Catch those in between moments. Posing can be exhausting and sometime subjects get in their heads or build anxiety.

Take breaks, move locations or change your set. Crack some jokes and have a chat. They will let loose and you can get some genuine smiles. Who doesn’t love that?

Candid are my favorite, but only occasionally are my subjects favorite. So do not feel disheartened if they prefer the posed and rehearsed shots.

 

5. Where do I Look?

Eyes. The window to the soul right? Let’s make sure you capture them in a multitude of ways. Ask you subject to look in different directions. Do not get the whites of the eyes- pay attention to where the Iris is and where your camera is pointing.

Give direction. Subject ask often “Do I look at you?” Tell them before they even ask.

Phrases I use for direction:

  • Look just over my shoulder (specify right or left)
  • Look down at your shoe with your eyes (keep their head the same)
  • Look down and on the count of three look up right into the camera (Have your camera ready to snap)
  • Blink, Blink, Blink and Open
  • Smile with your eyes (They always smile with everything and its cute)
  • Pose them, and keep posing them.

6. Play with the Hair

Move it over one shoulder, all behind. Use part of it to cover their face.

Have them play with their own hair. If you want a really dramatic look start asking them to flip and then run it through Photoshop like I did for fun.

Even if you are shooting an individual with shorter hair having the subject interact with their hair can be fun and change up the shoot.

7. Move Around and Pay Attention

Move between close ups and far away. Try not to have them doing the same thing for long periods of time.

Make sure you keep the background simple. Pay attention that it is not cutting off your subject or distracting from them. Also, just because you blurred the background does not mean it is no longer distracting, the colors can be too.

For more posing tips check out How to Take a Better Portrait with your Phone.

 

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Look at Good Work and Read About Good Work

As some of you may know I am a photography and design teacher by day. I had a professor in college that said, “If you are not looking at good work, you are not making good work.” Photography books are a plenty, but there are a few that have truly impacted me and are worth your time.

To this day, I try to embody this mentality within my own practice and that of my students. We start every class with our Artist of the Day looking at photographers from the very start of the invention that captured light.

I often come across individuals who are so consumed with being their “own” person and not looking at other artist’s work. Or God Forbid the Instagram game of follow and unfollow without considering the album of work. (Someone explain to me why people play the follow unfollow game! Ugh!)

I digress, the point being as an artist, creator or photographer I strongly believe you should be looking to improve your practice. The best way to do this is to look at others work and hear what they have to say about it.

5 Must Reads

As a photographer, there have been a few books that have changed the most powerful tool I possess; my perspective.

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An Early Start to the Pinhole

A Pinhole camera is any light tight container with an aperture (hole) and a shutter (something to cover the hole.

Interest in perspective and optics during the Renaissance is what led to the first necessary discovery for the pinhole camera: the camera obscura. Leonardo De Vinci described the camera obscura very clearly as early as the 16th century. (Alternative Processes)

A camera obscura is a dark chamber, container or room with a singular entry point of light. Once your eyes have adjusted, the outside will appear on the wall upside down. You can see how this would  be useful for artists to trace and have an accurate perspective.

Create a camera obscura right now out of your own room!

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The ultimate gift guide for ANY photographer. From the darkroom traditionalist to the millennial phoneographer these are my top picks for the photographer in your life…even if that is yourself.

All Amazon linked gifts are affiliate links. This means if you purchase with that link, a small percentage will go back to me. That said, I always clearly state what products I have or use!

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“You don’t take a photograph, you ask, quietly, to borrow it.” -Author Unknown

You are exposed to thousands of images everyday. They scroll in front of our eyes on Facebook, Pinterest, billboards and more. There mode of existence is your computer, phone, car: essentially technology. This new age of technology comes with an over-saturation of images and easy access. In this blog I too contribute to plethora of images being produced. It is this trend that has offered support for a sub category of images marked rephotography.

Rephotographing historical sites or even other artist’s work has been a highlighted theme in the contemporary art world. A peaked interest has been found more recently in the heavy saturation of online images.

Are these advances in technology allowing for more taking rather than making of images?

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