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After the popularity of “Posing Tips: Make your Subject Feel (& Look) like a Model” I decided to share some posing secrets for portraits that are not as obvious. There are a few mirco-movements that make a major impact when posing for portraits.

As always, make your subject comfortable and feel at ease. The first 10 shots or so in a session I rarely let them see. They are just a way for us to find a rhythm and connect with this strange object I keep pointing in their face. After those initial shots and established relationship, then you can start to employ some of these secrets for posing in portraits.

Note: This is the very first post where the images were taken from a free stock photo website. This is due to the fact that I do not have permission from all my subjects to share and blog about our sessions. However, all tips are mine and ones I use often. 

Secret #1 

Place the tongue to the roof of the mouth.

What it does: Creates a muscle tension/flex and lifts the chin skin up.

Area of Concern Addressed:  Double chin/lack of a defined jaw

Use When: Shooting profile views or 3/4 views

Secret #2

Part the Lips

What it does: Creates a sultry look or elongates the face

Area of Concern Addressed: None- only an added effect. Can be useful for those with especially round faces when paired with a upper angle.

Use When: Shooting close ups or during boudoir sessions

Secret #3

Angle the face

What it does: Creates structure and gives interest. Defines the jaw and intensifies the eyes. Universally flattering.

Area of Concern Addressed: Lazy eyes – this is the best trick for an individual who may have a lazy eye which is especially prominent in photos.  Angle the face and have them look in the direction of the lazy eye if possible. Shooting them straight on will not be flattering in most cases.

Use When: Shooting portraits or head shots

Secret #4

Hands on the waist (instead of the hips)

What it does: Creates a hourglass figure and gives the illusion of a smaller frame. Lifts the arms off the torso.

Area of Concern Addressed: Extra flowy clothes or a subject who has requested to look thinner (I get asked for this all the time).

Use When: Anytime you are tempted to say “Put your hand on your hips” . This will lift the arm from the torso which is good and flattering for how the camera picks up this part of the image, but it is not good for the size of the frame. Hands on the inner waist will cinch in the frame. This is also very helpful if your subject wore super flowy clothes since these have a tendency to drown your the form.

Secret #4

Lift the Collar Bone and Extend the Neck

What it does: Creates the illusion of a “thinner” look.

Area of Concern Addressed: None- only a effect (being thinner is desired by clients, but not something I think should ever be a “area of concern”)

Use When: Laughing photos or intense and serious photos (both will be intensified with this pose)

Secret #5

Cross your Ankles

What it does: Creates a point at the end of the frame and tilts the body slightly. Makes you appear taller.

Area of Concern: When two subjects are drastically different heights – have one subject cross ankles with one foot in front to appear taller.

Use When: Photographing couples or when using a wide lens (as those tend to make people look shorter and squatty)

 

That is all for now! Give it a shot and tell me how it goes. Or better yet, if you have some of your own secrets for posing, comment below.  Thank you all!

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Posing tips. It is not natural to everyone and your job is to make your subject feel good and look good. Even if you are not shooting professionally, you will inevitably be asked to take someones photo because you are “the photographer of the group.”. Here are my top posing tips that will keep the photos polished and have your subjects feeling pretty fantastic about themselves.

For these tips I am using the photos from a recent photo shoot with my sister. A performer and musician she needed some head shots and senior portraits. This was a mix of the traditional and fun.

1. Place the Hands Intentionally

Bring the hands towards the face or place them in the hair. Whatever you do, do not let them hang there. Give specific instructions for where they go. My lines for hands in the past have been the following:

  • Pretend like you are playing with your earing
  • Run your hands through your hair
  • Feel the texture of _________ (in this case the scarf)
  • Hands in your pockets- thumbs out like you are “Chillin”
  • Gently touch your fingers to your lips
  • Cross your arms (more masculine look)
  • Lay their hands on a rail (make sure there is not a intense grip)
  • Hands on waist (not hips)

Here are some NEVER’s for hand placement:

  • Over the crotch
  • Typically any “praying hands” look not so great
  • Hanging at the sides
  • Fists (unless they are a MMA Fighter)
  • “Just do what feels natural”

2. It is all about the Shoulders

I rarely will shoot the shoulder straight on- even when it is a man. A 3/4 approach is always more flattering.

Here are some phrases I used to position for the shoulders in addition to some taps and gentle movements:

  • Drop your shoulder facing me
  • Look towards your shoulder (now up)
  • Take a deep breath (lift shoulders with them) and drop
  • Shoulders back
  • Lift your hands to the sky and have them bring back behind them (BEFORE shooting)- this is good for the especially humpback prone

3. To Smile or Not Smile

Have your subject constantly switch between smiling with teeth, being serious and no teeth. Don’t forget to capture the candid in between moments too.

For a sultry look, have your subject breathe out of the mouth. A slight part also tends to elongate the face.

I typically carry some new chapstick or Vaseline with me in the case of dry lips since that tends to be a pain to touch up and remove from photos. Also – ALWAYS tell your client or subject when something is in their teeth. You must.

4. Catch the Candid

Catch those in between moments. Posing can be exhausting and sometime subjects get in their heads or build anxiety.

Take breaks, move locations or change your set. Crack some jokes and have a chat. They will let loose and you can get some genuine smiles. Who doesn’t love that?

Candid are my favorite, but only occasionally are my subjects favorite. So do not feel disheartened if they prefer the posed and rehearsed shots.

 

5. Where do I Look?

Eyes. The window to the soul right? Let’s make sure you capture them in a multitude of ways. Ask you subject to look in different directions. Do not get the whites of the eyes- pay attention to where the Iris is and where your camera is pointing.

Give direction. Subject ask often “Do I look at you?” Tell them before they even ask.

Phrases I use for direction:

  • Look just over my shoulder (specify right or left)
  • Look down at your shoe with your eyes (keep their head the same)
  • Look down and on the count of three look up right into the camera (Have your camera ready to snap)
  • Blink, Blink, Blink and Open
  • Smile with your eyes (They always smile with everything and its cute)
  • Pose them, and keep posing them.

6. Play with the Hair

Move it over one shoulder, all behind. Use part of it to cover their face.

Have them play with their own hair. If you want a really dramatic look start asking them to flip and then run it through Photoshop like I did for fun.

Even if you are shooting an individual with shorter hair having the subject interact with their hair can be fun and change up the shoot.

7. Move Around and Pay Attention

Move between close ups and far away. Try not to have them doing the same thing for long periods of time.

Make sure you keep the background simple. Pay attention that it is not cutting off your subject or distracting from them. Also, just because you blurred the background does not mean it is no longer distracting, the colors can be too.

For more posing tips check out How to Take a Better Portrait with your Phone.

 

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Everyone wants to be able to take a stunning portrait of their friend, sister and especially their fur babies. Here are  3 basic considerations for taking a better portrait. You can use all or only a few with your next photo session. Let me know how it works out!

1.  Choose your background 

Selecting a minimal background or one that adds interest is essential for a decent portrait. Things to look for in a background include:

  • Textures – this could be a classic brick wall, a textured wood or industrial metal.
  • Objects to frame the subject- This is called using leading lines (which I will talk about in future posts). You can look for a line of trees, the way the light falls  in order to bring more attention to the subject.
  • Removing distractions- This is probably most essential. Consider the focus of the portrait and remove any “busyness” .

2. Position the Subject

While candid shots can be incredible, and often are my favorite to shoot. If your intention is to take a traditional or focused portrait this means posing the subject. How do you pose? Here is a short list of ideas:

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